帕特里夏·埃辛鲍姆·克雷斯基教授 帕特里夏·埃辛鲍姆·克雷斯基教授自 1988 年以来即担任纽约巴德学院(Bard College) 亚洲艺术 O.芒斯特伯 格主席(O. Munsterberg Chair of Asian Art)，1994 年以来担任纽约市立大学雷曼学院(Lehman College, City University of New York) 艺术史兼职教授。1991-1998 年，历任《中国宗教》(Journal of Chinese Religions) 的助理编辑、联合编辑以及主编。

PUBLICATIONS/出版物
Books(directly below)/ Catalogues/ Articles/Reviews / 书(正下方)/画册/文章/评论 Books/书

Making Sense of Buddhist Art & Architecture/《理解佛教艺术与建筑》
Thames & Hudson, London May 2015

Chinese Religious Art/《中国宗教艺术》
Lexington Press, 2014
Kindle and paperback

Femininity in Asian Women Artists’ Work from China/《来自中国的亚洲女性艺术家作品中的女 性特质》
KT Press, 2012 Kindle edition

Korea and USA: If the Shoe Fits/《韩国与美国：如果合脚》
KT Press, 2012 Kindle edition

Guanyin/观音 Buddhist Deity of Compassion in China (Images of Asia)/《中国佛教中的慈悲之神》(亚洲印象 系列丛书)
Oxford University Press, 2004

Chinese Buddhist Art (Images of Asia)/《中国佛教艺术》(亚洲印象系列丛书)
Oxford University Press, 2002

Early Buddhist Narrative Art: Illustrations of the Life of the Buddha from Central Asia, China, Korea and Japan/《早期佛教叙事艺术：图解中亚、中国，韩国与日本的佛陀生活故事》
University Press of America, 2000

Arts of the Tang Court (Images of Asia)/《唐代宫廷的艺术》(亚洲印象系列丛书)
Oxford University Press, 1996

Court Art of the Tang/《唐代的宫廷艺术》
University Press of America, 1996

The Life of the Buddha: Pictorial and Scriptural Evidence in India/《佛的生活：印度绘画与雕 塑实证》
University Press of America, 1992

CATALOGUES /画册

“Chinese-Chinese American Contemporary Female Artists Living in the Material World”/《生活在物质 世界中的中国-美籍华裔当代女性艺术家》
Cai Jin, Cui Xiuwen, Feng Jiali, Hu Bing, Gao Yuan, Mimi Kim, Nina Kuo, Zhu Hui
Cultural Affairs Coordinator Nicole Shea
January 25-March 29, 2013
Center Art Gallery, Kaplan Hall
SUNY Orange, Newburgh, New York

“Le Deluge, Après Mao: China’s Surging Creative Tide”/《“洪水泛滥，毛泽东之后”：中国涌现创意之 潮》
An Exhibition of Work by Significant Contemporary Chinese Artists
November 9 – December 14, 2010
Cress Gallery of Art, University of Tennessee at Chattanooga
Curator: Patricia Eichenbaum Karetzky, with curatorial assistance from Ruth Grover, Cress Gallery of Art

State of the Dao in Chinese Contemporary Art/《中国当代艺术中道的状态》
February 3 to May 4, 2010
Lehman College Art Gallery, New York City
Review: Benjamin Genocchio, “View of Mao’s China and What it Became,” New York Times, N.Y./Region, April 8, 2010

Existential Emptiness: The Art of Cui Xiuwen/《真空妙有：崔岫闻的艺术》
April 2010
Tina Keng Gallery, Taiwan

Xun Dao: Searching for Spirituality in Contemporary Chinese Art/《寻道：探寻中国当代艺术中的精神 性》
May 21-June 27, 2009
Frederieke Taylor Gallery 535 West 22nd Street, New York City

Beijing Boogie Woogie: Art in Beijing/《北京布吉伍吉：北京的艺术》
Chinese American Arts Council, New York City,
June 28-July 26, 2007

Heart Prints: Contemporary Chinese Calligraphy/《心路印迹：当代中国书法》
Bard College, Annandale, 2004

Femininity in Contemporary Asian Art: If the Shoe Fits…/《当代亚洲艺术中的女性特质：如果合脚……》
Vernal Visions, Lehman College Art Gallery, New York City (45pp.), 2002

Reading Sculptures: Works by Longbin Chen 1993-2002/《可阅读的雕塑：陈龙斌的作品 1993-2002》
Taiwan 2002

Who Am I Contemporary Asian and Asian American Women Artists/《我是谁：当代亚洲与亚裔美国籍 女性艺术家》
456 Gallery (Chinese-American Arts Council), New York City

Contemporary Chinese Art and the Literary Culture of China/《当代中国艺术与中国人文文化》
Bard College, Annandale-on-Hudson, New York, 1999
Lehman College Art Gallery, Lehman College, CUNY, 1998

ARTICLES/文章
Indian Art(directly below)/Chinese Art/Contemporary Art/Other / 印度艺术(正下方)/中国艺 术/当代艺术/其他

Indian Art/印度艺术
“The Origins and Evolution of Portrayals of the Death of the Buddha in India”/《印度佛之死肖像绘画的 源起与发展》
Oriental Art/《东方艺术》, vol. LV, no.3 (2006): 33-41

“Women and Their Role in Early Buddhism – Textual and Pictorial Evidence”/《早期佛教中的女性及其角 5 色——文本与图像实证》 Oriental Art/《东方艺术》, no. 4 (1998/9): 30-38

“The Origins of the Myth of the First Sermon”/《有关首位传教士的神话源起》 East and West (Rome)/《东方与西方》(罗马), vol. 45, no. 1-4 (1995): 127-147

“The Post-Enlightenment Miracles of the Buddha; Texts and Illustrations”/《佛的奇迹的后启蒙；文本与 图解》
Orientations (Hong Kong)/《东方艺术》(香港) January, vol. XXI (1990): 71-77

“Hellenistic Influences on the Formation of a Biographical Cycle Based on the Life of the Buddha”/《希腊 化对以佛的生活为依据的传记体之形成所带来的影响》
Oriental Art (London)/《东方艺术》(伦敦) , vol. XXXV (1989): 163-168

“Scenes of the Life of the Buddha and the Rites of Pilgrimage”/《佛的生活场景与朝圣仪式》 Oriental Art (London)/《东方艺术》(伦敦), vol. XXXIII (1987): 268-274

“New Archaeological Evidence in Pakistan–the Stupa”/《巴基斯坦新考古实证——舍利塔》 Eighth International Symposium of Asian Scholars/《第八届亚洲学者国际研讨会, Hong Kong, 1986: 1067-1074

“Mara, Buddhist Deity of Death and Desire”/《摩罗，佛教的死亡与欲望之神》 East and West (Rome)/《东方与西方》(罗马) vol. XXXII (1982): 75-92

Chinese Art/中国艺术
“The Image of the Winged Celestial and Its Travels Along the Silk Road”/《带翼的天神形象及其丝绸之路 之旅》
Sino-Platonic Papers/《中国的柏拉图文集》 (University of Pennsylvania), no. 225 (June 2012): 1-45

“The Evolution of the Image of Xian in the Han”/《汉代仙的形象的演进》 Daoist Art History/《道家艺术史》(Xi’an Academy of Art, 2008): 37-44

“The East West Transmission of the Wine Ewer”/《酒罐的东西传播》 Kristi/《克莉斯蒂》(New Delhi, 2008): 97-105

“Empress Wu, Maitreya and Xuanzang,”/《武则天、弥勒与玄奘》 New Delhi Conference on Xuanzang and the Silk Road/《关于玄奘与丝绸之路的新德里会议》, National Museum, Indira Gandhi National Centre for the Arts (2008): 103-116

“Images of the Immortal in Ancient Chinese Art”/《古代中国艺术中不朽的形象》 Proceedings of the International Conference of Taoism on Mt. Tiantai and Zhejiang/《天台山与浙江国 际道教会议论文集》, Ancient Art Publications, Zhejiang; (2008): 793-806

“The Huajing, Empress Wu and the Caves at Longmen” (in Chinese)/《华严经、武则天与龙门石窟》 2004 International Conference on Research of the Arts of the Longmen Caves/《2004 年度龙门石窟艺 术研究国际会议》, Fine Arts Publications. Henan; (2006): 159-164

“Millennialist Themes in the Northern Wei Grottoes in Qingyang and Jingchuan County, Eastern Gansu”/《甘肃东部庆阳与泾川县北魏石窟中的千禧主题》 Oriental Art /《东方艺术》vol. XLIX. no. 4 (2003-2004): 40-47

“Heavenly Dowager Wu Zetian and Buddhist Art of the Tang Dynasty”/《天朝太后武则天与唐代的佛教艺 术》 T’ang Studies/《唐代研究》, no. 21-22 (2002-2003): 113-150

“Imperial Splendor in the Service of the Sacred: Table Set for the Gods: Gold and Silver Tea Service and Esoteric Chinese Buddhist Ritual”/《皇室显赫的祭神用具：为神准备的成套餐具：金银茶具与密宗中国佛 教仪式》
T’ang Studies/《唐代研究》, vol. 18-19 (2002-01): 61-85

“The Presence of the Goddess Anahita and Cosmological Symbols Associated with the Goddess on Western Decorative Arts Excavated in Early Medieval China”/《女神阿娜希塔的呈现以及出土于中国的中 世纪早期和西方装饰艺术中女神相关的宇宙符号》
Between Han and Tang/《汉唐之间》, Wenwu Press: Beijing, 2001: 341-379

“Sarvastivadin Buddhists and Scenes of the Life of the Buddha from Qizil (Xinjiang)”/《萨婆多部佛教徒 与(新疆) 克孜尔佛的生活场景》 Oriental Art/《东方艺术》, vol. XLVI, no. 1 (2000): 48-58

“The Representation of Women in Medieval China: Recent Archaeological Evidence”/《中世纪中国妇女 的形象再现：最新考古证据》 T’ang Studies/《唐代研究》, vol. 17 (1999): 213-271

“Water the Divine Element of Creation and Images of the Buddha of the West in Early China”/《水作为神 圣的创造性元素与早期中国西方佛的形象》 Journal of Chinese Religions/《中国宗教》, vol. 25 (1997): 33-57

“Western Origins of the Paradise of Amitofu”/《阿弥陀佛天堂的西方起源》 Sino Platonic Papers/《中国的柏拉图文集》 (University of Pennsylvania), No. 76 (1997): 1-28

“New Archaeological Evidence of Tang Esoteric Art”/《唐代密宗艺术新考古证据》 T’ang Studies/《唐代研究》, vol. 12, (1994): 11-37

“The Famen Temple Finds and New Evidence of Tang Esoteric Buddhism”/《法门寺的发现与唐代密宗佛 教新证据》 Archives of Asian Art/《亚洲艺术档案》, vol. XLVII (1994): 78-85

“Some Cosmological Schemes in the Early Caves at Dunhuang”/《早期敦煌洞穴中一些有关宇宙起源的设 想》 Journal of Chinese Religions/《中国宗教》, Fall, vol. 20 (1992): 103-116

“Northern Wei Painted Coffin”/《北魏彩绘棺材》 Artibus Asiae/《亚洲艺术》, vol. LI (1991): 5-20 (co-author A. Soper)

“The Tang Reliquary from Lingtai, Gansu and the Mahaparinirvana”/《来自甘肃灵台的唐代圣骨匣与大般 涅盘经》
East and West (Rome)/《东方与西方》(罗马), December, vol. 38 (1988): 215-230

“A Tang Buddhist Scene of the Assumption of the Soul”/《灵魂升天的唐代佛教场景》 Tenth International Symposium of Asian Scholars/《第十届亚洲学者国际研讨会》, Hong Kong, 1988: 211-216

“The Guoqu Xianzai Yingquo Jing at Dunhuang”/《敦煌的过去现在因果经》 Journal of Chinese Religions/《中国宗教》, Fall, No. 16 (1988): 54-72

“The Engraved Designs on the Late Sixth Century Sarcophagus of Li Ho”/《六世纪晚期李候石棺碑刻设 计》
Artibus Asiae/《亚洲艺术》, vol. XLVII (1986): 81-106

“Taoist Iconography on Mortuary Art of the Sixth Century in China”/《六世纪中国殡葬艺术道教插画》 Sixth International Symposium of Asian Scholars/《第六届亚洲学者国际研讨会, Hong Kong, 1984: 201-210

“Foreigners in Tang and pre-Tang Painting”/《唐与唐之前绘画中的外国人》 Oriental Art (London)/《东方艺术》(伦敦), vol. XXX (1984): 160-166

“A Scene of the Taoist Afterlife on a Sixth Century Sarcophagus Discovered in Loyang”/《发现于洛阳的六 世纪石棺中道教的来世场景》
Artibus Asiae/《亚洲艺术》, vol. XLIV (1983): 5-20

“The Buddhist Murals Discovered at Yenshangssu”/《岩山寺的佛教壁画发现》 Artibus Asiae/《亚洲艺术》, vol. XLII (1981): 245-260

Contemporary Art /当代艺术
“Xu Bing’s Magical Mystery Tour,”/《徐冰的神秘奇幻之旅》 Yishu/《艺术》, vol. 13, no. 1 (2014): 76-92

“Time and Love: Cai Jin’s New Works,”/《时间与爱：蔡锦新作》 Yishu/《艺术》, vol. 12, no. 6 (2013): 45-59

“Wang Qingsong’s Use of Buddhist Imagery (There Must Be a Buddha in a Place Like This),”/《王庆松对 佛教形象的运用(必定有一位佛存在于这样一个地方)》
Yishu/《艺术》, vol. 12, no. 1 (2013): 42-54

“Exhibition Review: ‘Bound Unbound’ Lin Tianmiao,”/《展览评论：“缠绕剪开”林天苗》at Asia Society,
New York, 2012; Orientations/《方向》, vol. 44, no. 2 (March 2013): 162

“Contemporary Chinese Art: Uses and Reuses of the Past”/《当代中国艺术：对过往元素的使用与再使用》 Education About Asia/《亚洲教育》, vol. 17, no. 1 (Spring, 2012): 39-43

“Lin Tianmiao’s New Works: ‘Dem Bones'”/《林天苗的新作：“特别的骨头”》 Yishu/《艺术》, vol. 11, no. 2 (2012): 20-33

“Daoist Themes by Women Artists”/《女性艺术家创作中的道教主题》 Journal of Daoist Studies/《道教研究》, Vol. 5 (2012): 170-188

“Cui Xiuwen’s Recent Work: Spiritual Realms in the Material World”/《崔岫闻的近作：物质世界里的精 神空间》 n.paradoxa (London)/《n.paradoxa》(伦敦), vol. 29 (Jan 2012): 62-65

“Xu Yong’s This Face”/《徐勇的<这张脸>》 Yishu/《艺术》, vol. 10, no. 6 (2011): 59-66

“Bomu: Don’t Fence Me In”/《波木：不要困住我》 Yishu/《艺术》, vol. 10, no. 4 (2011): 93-109

“Zhang O’s Recent Work”/《张鸥的近作》 Yishu/《艺术》, vol. 10, no. 3 (2011): 63-71

Gao Yuan’s “‘Precious Little Angel’” /《高原<珍贵的小天使>》 n.paradoxa (London)/《n.paradoxa》(伦敦), vol. 27 (Jan 2011): 47-52

“Cui Xiuwen, Walking on Broken Glass”/《崔岫闻，行走在破碎的玻璃上》 Yishu/《艺术》, vol. 9, no. 3 (2010): 18-33

“Cui Guotai, Rust Never Sleeps”/《崔国泰，锈永未眠》 Yishu/《艺术》, vol. 8, no. 4 (2009): 32-40

“Conroy Sanderson: Two Heads are Better than One”/《康罗伊·桑德森：三个臭皮匠胜过一个诸葛亮》 Yishu/《艺术》, vol. 8, no.2 (2009): 77-85

“Xu Yong: Photographer of the Vanishing Past and the Emerging Future of China”/《徐勇：记录中国消失 的过去与新兴的未来的摄影师》
Yishu/《艺术》, vol. 7, no. 6 (2008): 88-98

“New Works, New Directions in the Art of Yang Jinsong”/《杨劲松的新作及其艺术创作中的新方向》 Yishu/《艺术》, vol. 7, no.1 (2008): 37-40

“The Gao Brothers: All the World’s a Stage”/《高氏兄弟：大千世界即舞台》 Yishu/《艺术》, vol. 6, no. 2 (2007): 61-67

“Zhang Dali: The Face of China”/《张大力：中国的脸》 Yishu/《艺术》, vol. 4, no. 4 (2005): 69-75

“Portrait of a Beijing Artist: Yang Jinsong”/《一位北京艺术家的肖像：杨劲松》 Eastern Art/《东方艺术》, 2005, Issue 49.1: 24-29

“Time and Biochronology in the Work of Chen Lingyang”/《陈羚羊作品中的时间与生物年代学》 n.paradoxa (London)/《n.paradoxa》(伦敦), vol. 15 (2005): 37-43

“Longbin Chen: Content in Forms”/《陈龙斌：形式即内容》 Yishu/《艺术》, Winter 2004: 52-57

“Zhang O: In Transit”/《张鸥：在路上》 Yishu/《艺术》, Fall 2004: 28-31

“Laizi Beijing de siwei nyu yishujya”/《来自北京的四位女艺术家》 Shijye Yishu (in Chinese)/《世界艺术》(中文), 2004 no.2:19-23

“Zhao Suikang: No Reconciliation: The Art of Convergence in the Work Suigang Zhao”/《赵穗康：拒绝调 和：赵穗康作品中融合的艺术》 Oriental Art/《东方艺术》, vol. XLVIII No. 2 (2002): 37-43

“Beijingnuren: Five Women Artists from Beijing, Five Different Styles”/《北京女人：五位来自北京的女性 艺术家，五种不同的风格》 Journal of Women’s Art/《女性艺术》, vol. 23, no. 2 (2003):28-33

“A Modern Literati: The Art of Xu Bing”/《一位现代文人：徐冰的艺术》 Oriental Art/《东方艺术》, vol. XLVII, no.4 (2001): 47-62

“Political Art of China at the End of the Twentieth Century-the Tiananmen Generation”/《二十世纪末中 国的政治艺术——天安门一代》 Oriental Art/《东方艺术》, vol. XLVII, No. 1 (2001): 54-62

“Meditations on the Material–the Work of the Suijian Guo, Contemporary Chinese Sculptor”/《关于物质 的冥想——当代中国雕塑家隋建国的作品》 Oriental Art/《东方艺术》, vol. XLV, no. 2 (1999): 96-100

“Contemporary Chinese Art and the Literati Culture of China”/《中国当代艺术与中国文人文化》 Bard Journal of Social Studies/《巴德社会学期刊》, (Feb. 1999): 21-31

“Between Two Cultures: Reading Sculptures by Longbin Chen”/《两种文化之间：陈龙斌的可阅读雕塑》 World Sculpture News/《世界雕塑新闻》, no. 4 (1998): 22-25

REVIEWS/评论
Picturing the True Form: Daoist Visual Culture in Traditional Culture/《描绘真实的形式：传统文化中 的道教视觉文化》(Shih-shan Susan Huang; Harvard East Asian Monograph, Harvard University Press, 2012)
Review: Frontiers of History in China/《中国历史前沿》; vol. 9, no.1 (2014): 147-149

The Art of the Book: Painting Manuals and the Leisure Life in Late Ming China /《书籍的艺术：中国明 代后期画谱与闲暇生活》(J. P. Park; Seattle, University of Washington Press, 2012)
Review: Frontiers of History in China/《中国历史前沿》; vol. 8, no.3 (2013): 147-149

Picturing Heaven in Early China /《早期中国对天堂的描绘》(Lillian Lan-ying Tseng; Harvard East Asian Monograph, Harvard University Press, 2011) Review: Frontiers of History in China/《中国历史前沿》; vol. 8, no.2 (2013): 294-296

Commemorative Landscape Painting in China 《中/ 国纪念性风景画》(Anne de Coursey Clapp; Kinmay W. Tang Center for East Asian Art, Tang Center Lecture Series, Princeton University, 2012) Review: Bulletin of the School of Oriental and African Studies/《亚非研究学院期刊》; vol. 76, issue 02 (2013): 345-347

Asian Art History in the Twenty-first Century/《二十一世纪的亚洲艺术史》 (Vishaka N. Desai, Editor; Yale University Press, 2007) Review: China Review International/《中国国际评论》, University of Hawaii Press, vol. 18, no. 1 (2011): 46-50

The Night Banquet: A Chinese Scroll Through Time/《夜宴：一幅中国的时间卷轴》 (De-nin D. Lee; University of Washington Press, 2010) Review: China Review International/《中国国际评论》, University of Hawaii Press, vol. 18, no. 1 (2011): 97-99

Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China /《妙法莲华经的图形化：中国中世 纪的佛教视觉文化》(Eugene Wang; University of Washington Press, 2005) Review: Journal of Chinese Religions/《中国宗教》, no. 34, 2006: 162-164

The Paintings of the Lotus Sutra/《妙法莲华经的绘画》 (Willa Tanabe; John Weatherhill Inc., 1988) Review: Chanoyu Quarterly: Tea and the Arts of Japan《茶的仪式季刊：日本的茶与艺术》 / , no. 62 (1990): 76-77

Other/其他 “Buddha: Letter to the Editor”/《佛：一封给编辑的信》 14 Chest/《胸腔》, 1997, vol. 111, no. 2: 525

“DNR: Lessons From the Buddha”/《无需拯救：来自佛的训诫》 Chest/《胸腔》, 1996, vol. 109, no. 6: 1415-1416

LECTURES /讲座 presentations and talks since 2000/2000 年以来的报告与讲话

“Mara’s Monsters and the Faces of Fear”/《摩罗的怪物与恐惧的面容》 17th Congress of the International Association of Buddhist Studies(IABS)/第十七届佛教研究国际学会大 会; Vienna; August 2014

“The Image of Women in Chinese Art”/《中国艺术中的女性形象》 Eighth International Convention of Asia Scholars/第八届亚洲学者国际会议 (ICAS 8); Macao; June 24-27, 2013

“Contemporary Art of the Chinese Diaspora”/《旅居海外华人的当代艺术》 Eighth International Convention of Asia Scholars/第八届亚洲学者国际会议 (ICAS 8); Macao; June 24-27, 2013

“Contemporary Indian Women Artists”/《当代印度女性艺术家》 International & Interdisciplinary Conference/国际 & 跨学科会议; Kolkata; January 3-5, 2013

“The Artist As a Force of Change in Contemporary China”/《作为当代中国变革力量的艺术家》 International and Interdisciplinary Conference 国际跨学科会议/, Jawaharlal Nehru University; New Delhi; January 2012

“The Image of the Winged Celestial and Its Travels Along the Silk Road — Buddhism on the Silk Road II”/《带翼的天神形象及其丝绸之路之旅——丝绸之路上的佛教 II》 XVIth Congress of the International Association of Buddhist Studies/第十六届佛教研究国际学会大会, Dharma Drum Buddhist College; Jinshan, Taiwan; June 2011 15

“Contemporary Female Artists Whose Art Employs Themes Related to Daoism”/《创作主题与道教相关的 当代女性艺术家》 7th International Conference on Daoist Studies/第七届道教研究国际会议; Nanyue Changsha; June 2011

“Le Deluge Après Mao: China’s Surging Creative Tide — An Exhibition of Work by Significant Contemporary Chinese Artists”/《“洪水泛滥，毛泽东之后”：中国涌现创意之潮——杰出中国当代艺术 家作品展》 Cress Gallery of Art/克里斯画廊, University of Tennessee at Chattanooga; November 2010

“The Use of Hanzi in Contemporary Chinese Art”/《中国当代艺术中汉字的使用》 Seventh International Conference on Hanzi Calligraphy Education/第七届汉字书法教育国际大会, Capital Normal University; Beijing; June 2010

“Uses of the Past in Contemporary Chinese Art”/《中国当代艺术中对过往元素的使用》 Xiamen University/厦门大学; Fujian; June 2010

“Contemporary Christian Art”/《当代基督教艺术》 Sixth International Conference of Asian Studies/第六届亚洲研究国际会议 (ICAS 6); Daejon, Korea August 2009

“The Evolution of the Image of the Divine in Daoist Art”/《道教艺术中神的形象的演进》 Fifth International Daoist Studies Conference/第五届国际道教研究会议; Mt Wudang, Hubei; June 2009

“T’ang Buddhist Metropolitan Style”/《唐代佛教之大都会风格》 T’ang Studies: The Next Twenty-five Years/唐代研究：未来的二十五年; University of Albany SUNY; May 2009

“Regional Style and The Role of Scriptures in the Evolution of Buddhist Art During the Medieval Period”/《中世纪佛教艺术中地域风格与经文的作用的演进》 16 Chinese Buddhist Art: New Dimensions and Perspectives/中国佛教艺术：新的维度与视角, University of Sydney; Australia; August 2008

“The Evolution of the Image of Xian in the Han”/《汉代仙的形象的演进》 Daoist Art History/道教艺术史, Xi’an Academy of Art; May 2007

“Femininity is Contemporary Asian Art”/《女性特质即当代亚洲艺术》 Vital Bodies International Conference/重要机构国际会议, John Moores University; Liverpool; November, 2007

“The Role of Scriptures in the Iconographical Programs of Three Sites in Northern China”/《经文在北部 中国三处遗址的图像学设计中所起的作用》 Seminar, University of Toronto/多伦多大学研讨会; November 2007

“Art of the Cultural Revolution”/《文革的艺术》 Faculty Seminar, Bard College/巴德学院，学院研讨会; Annandale-on-Hudson, New York; March 2008

“The Evolution of the Image of Xian in the Han’’/《汉代仙的形象的演进》 Daoist Art History, Xi’an Academy of Art/西安美术学院，道教艺术史; Shaanxi; May 2007

“The Transformation of Xuanwu, Guardian of the North”/《北方守护神玄武的转变》 Third International Conference on Daoism and the Contemporary World/第三届道教与当代世界国际会 议; Frauenwörth Monastery, near Munich; May, 2006

“The Image of Xian in Medieval Chinese Art”/《中世纪中国艺术中仙的形象》 Taoist Conference, Zhejiang University/浙江大学，道教学术会议; Hangzhou; May 2005

“The Evolution of the Many Forms of Guanyin in India and their Counterparts at Dunhuang”/《印度观音 多种形象的演进及其在敦煌的对应物》 Fourth Dunhuang International Conference/第四届敦煌国际学术会议; Gansu Province; 17 August 2004

“The Huayenjing and Empress Wu at Longmen”/《华严经与龙门石窟中的武则天》 Longmen Cave Symposium/龙门石窟研讨会; Henan Province; August 2004

“Daoist Imagery on a Group of Northern Wei Stone Sarcophagi from Luoyang”/《洛阳北魏石棺群的道教 形象》 Daoism in the Modern World/道教在现代世界; Sichuan University; June 2004

“East-West Transmission of the Greek Long-necked Wine Vessel with Handle Over the Centuries”/《带有 手柄的希腊长颈酒器在过去几个世纪以来的东西方传播》 Society for Indian Philosophy and Religion/印度哲学与宗教学会; Kolkata; January 2004

“Empress Wu and Buddhist Art of Guangyuan, Sichuan”/《武则天与四川广元地区的佛教艺术》 Third International Asian Scholars Conference/第三届亚洲学者国际研讨会; Singapore; August 2003

“Daoist Imagery on Medieval Funerary Objects”/《中世纪丧葬明器中的道教形象》 Daoism and Art II Conference/第二届道教与艺术学术会议; Boston University; June 2003

“Emerging Artists: Betty Yaqin Chou”/《新锐艺术家：周雅琴·贝蒂》 The Players: Asian American Art/玩家：亚裔美国人的艺术; NYU; June 2002

“Writing in Chinese Contemporary Art”/《中国当代艺术中的书写》 Contemporary Chinese Arts in the International Arena/国际舞台上的当代中国艺术, British Museum; April 2002

“The Buddhas of the Past and Future at the Northern Wei Caves in Qingzhou, Eastern Gansu, China”/ 《中国甘肃东部庆州北魏石窟中的过去与未来佛》 2nd International Convention of Asian Scholars/第二届亚洲学者国际研讨会, Freie Universität; Berlin; August 2001

“Millennialism at the Northern Wei Caves in Gansu, China”/《中国甘肃北魏石窟的千禧年说》 Asian Studies Conference/亚洲研究会议, Sophia University; Tokyo; June 2001

“T’ang Woman in Chinese Art and Culture”/《中国艺术与文化中的唐代女性》 Texas Tech University/德克萨斯州理工大学; Lubbock, Texas; November 2000

“Western Origins of the Scenes of the Death of the Buddha”/《佛之死场景的西方起源》 ICANAS 37th Congrès International des Études Asiatiques et Nord-africaines/ICANAS 第三十七届亚洲 与北非学国际大会; Montreal; August 2000

“Scenes of the Parinirvana in the Cave-temples of Qizil in Quca, Xinjiang and their relationship to those at Dunhuang, Gansu”/《新疆拜城县克孜尔石窟寺庙涅槃场景及其与甘肃敦煌涅槃场景的相互关联》 Dunhuang Research Institute/敦煌研究院; Gansu Province; August 2000

“Contemporary Asian Women Artists”/《当代亚洲女性艺术家》 ICANAS 37th Congrès International des Études Asiatiques et Nord-africaines/第三十七届亚洲与北非研 究国际大会; Montreal; August 2000

“The Presence of the Goddess Anahita and Cosmological Symbols Associated with the Goddess on Western Decorative Arts Excavated in Early Medieval China”/《女神阿娜希塔的呈现以及出土于中国的中 世纪早期和西方装饰艺术中女神相关的宇宙符号》 Between Han and T’ang/汉唐之间; Beijing University; July 2000

“Contemporary Chinese Art and the Artistic Uses of Calligraphy”/《当代中国艺术与书法的艺用》 CAA/高校艺术协会; New York City; February 2000